FOKI26
28-06-2004, 12:53 PM
Ok fellas, loads more questions on Logic here to keep you going for a bit;
1) LFO’s (Soft Synths)
When using the EXS24, ES1 & ES2 (Think these all have the same function) how to do the following;
a) Modulate the LFO for the filter…… All I want to do is adjust the depth/intensity of the amount of the LFO modulating the filter’s cut-off (can this be automated also?).
b) Change the sync time/division of this LFO (16ths, 8ths etc)
c) Change the waveform this LFO uses (square, sine, saw etc)
d) Can I put a delay on the LFO…. To make it wait a slight pause before it kicks in?
e) Can I have more than 1 LFO modulating the filter at the same time with different settings for depth, waveform, etc?
2) Envelopes (Amp & Filter)
EXS24, ES1, ES2
a) How do I modulate the amp envelope…Can’t remember which synth I was using but the amp envelope sliders didn’t have any effect….Do they need to be enabled using the mod-matrix thing in the middle of the screen, & if so what’s an ideal setting to enable maximum control of the parameter (So full values can be reached)?
b) Same question as above but for the filter envelope (think I’ve got this to work, but could do with it clarifying please!)
3) Compressors (Logic’s own, or VST)
What’s a decent software compressor for use in Logic….. I tried using the silver compressor (which I thought would be ok) and the end result was absolutely terrible when I put a simple drum break through it…..
The thing didn’t seem to behave at all like a ‘real’ compressor would….and totally destroyed the input sound and turned it into something that sounded way over processed, and totally un-useable (no matter how subtle the amount of compression I added). However setting my h/ware compressor to the same/ideal settings (with the same break) when I got home the results were fantastic…. What’s that all about?
4) Delay Plug-ins
Anybody know of a delay effect plug in that lets you programme the repeat patterns /sequence of the delayed notes….. Most of the one’s in Logic only seem to have regular patterns for the repeats (with some groove control to compensate)…. There’s one in Soundforge from what I remember….’Multi-tap delay’ I think it’s called that lets you programme the positioning of the repeats…..
5) Arpegiator
a) How do connect an arp to a soft synth….and how much control do I have over it’s parameters?
b) Can I turn the arp ON/OFF using an NRPN, or a CC message, and insert this into my sequence if I don’t want all notes to be arpegiated? If so what CC or NRPN numbers do I use?
c) Is there any VST/other arp’s you can use in Logic
6) Red-lining
How do I do this in Logic….. If I distort a signal in Logic’s mixer (send the levels up into the red). Upon bouncing the track down to audio (because the signal is being sent digitally) it doesn’t sound right (nasty digitally distorted noise).
However at home distorting something on my analogue desk gives the signal a nice warm sound, with a good bit of growl in the background…. How can I achieve this without using a distortion plug-in?
7) Tape Emulation
Is there a plug-in within Logic to do this (I know there used to be one in Cubase which was quite good)
Think that’s about it for now…but I know there’s been loads of other thing’s stressing me out with Logic this weekend, so get ready for round 2 when I remember what they all were…….
Thanks to anybody who answers this lot…….trust me it will all be put to use and not going in one ear and straight out of the other…..
Cheers
Foax….88
1) LFO’s (Soft Synths)
When using the EXS24, ES1 & ES2 (Think these all have the same function) how to do the following;
a) Modulate the LFO for the filter…… All I want to do is adjust the depth/intensity of the amount of the LFO modulating the filter’s cut-off (can this be automated also?).
b) Change the sync time/division of this LFO (16ths, 8ths etc)
c) Change the waveform this LFO uses (square, sine, saw etc)
d) Can I put a delay on the LFO…. To make it wait a slight pause before it kicks in?
e) Can I have more than 1 LFO modulating the filter at the same time with different settings for depth, waveform, etc?
2) Envelopes (Amp & Filter)
EXS24, ES1, ES2
a) How do I modulate the amp envelope…Can’t remember which synth I was using but the amp envelope sliders didn’t have any effect….Do they need to be enabled using the mod-matrix thing in the middle of the screen, & if so what’s an ideal setting to enable maximum control of the parameter (So full values can be reached)?
b) Same question as above but for the filter envelope (think I’ve got this to work, but could do with it clarifying please!)
3) Compressors (Logic’s own, or VST)
What’s a decent software compressor for use in Logic….. I tried using the silver compressor (which I thought would be ok) and the end result was absolutely terrible when I put a simple drum break through it…..
The thing didn’t seem to behave at all like a ‘real’ compressor would….and totally destroyed the input sound and turned it into something that sounded way over processed, and totally un-useable (no matter how subtle the amount of compression I added). However setting my h/ware compressor to the same/ideal settings (with the same break) when I got home the results were fantastic…. What’s that all about?
4) Delay Plug-ins
Anybody know of a delay effect plug in that lets you programme the repeat patterns /sequence of the delayed notes….. Most of the one’s in Logic only seem to have regular patterns for the repeats (with some groove control to compensate)…. There’s one in Soundforge from what I remember….’Multi-tap delay’ I think it’s called that lets you programme the positioning of the repeats…..
5) Arpegiator
a) How do connect an arp to a soft synth….and how much control do I have over it’s parameters?
b) Can I turn the arp ON/OFF using an NRPN, or a CC message, and insert this into my sequence if I don’t want all notes to be arpegiated? If so what CC or NRPN numbers do I use?
c) Is there any VST/other arp’s you can use in Logic
6) Red-lining
How do I do this in Logic….. If I distort a signal in Logic’s mixer (send the levels up into the red). Upon bouncing the track down to audio (because the signal is being sent digitally) it doesn’t sound right (nasty digitally distorted noise).
However at home distorting something on my analogue desk gives the signal a nice warm sound, with a good bit of growl in the background…. How can I achieve this without using a distortion plug-in?
7) Tape Emulation
Is there a plug-in within Logic to do this (I know there used to be one in Cubase which was quite good)
Think that’s about it for now…but I know there’s been loads of other thing’s stressing me out with Logic this weekend, so get ready for round 2 when I remember what they all were…….
Thanks to anybody who answers this lot…….trust me it will all be put to use and not going in one ear and straight out of the other…..
Cheers
Foax….88